I am primarily engaged with blurring the lines between sculpture and myself. I imbue my objects with my distorted voice, putting you in my head, or, more In The Room. I project myself onto objects in a very literal sense, dancing among them in an eternal duet. I am interested in the nothing that is spoken through saying everything. I do not talk in code, but the work may not necessarily speak your language.
Another Indescribable Thing blends repetitive motifs of road infrastructure, camp Americana aesthetics and nonsensical language to play with ideas of legibility. The elements are recognizable, but have been shuffled around, turned into an accumulative pile: an intermedia attempt at expressing the inexplicability of being through the objects we just can’t seem to get rid of.
Featuring Several Sculptures/Experiences
WITNESS
Double Sided Quilt (Quilting Cotton, Plastic Chain), 6’x8’
Running Dreams
Objects with Projection (PVC Pipe, Plaster, Paper Clay, Paint, Video Projection), Placement dimentions variable.
Plastic Jesus (Too Late for That!)
Sculpture (material info below), 8’ tall on its hill.
Bronze Cast of Slotted Sunglasses I Found on The Street On a Morning When I Felt Irredeemably Undesirable That Made Me Think Maybe I Was Being A Bit Dramatic (Artifact 24)
Sculpture (Bronze, Rubber Mulch, Structure), 36” x 10” x 28”.
Low Hanging Fruit
Sculpture (Boxing Gloves, Rhinestones, Faux Fur, Shoelaces), Standard Boxing Glove Size, Hanging dimensions variable.
The Color of a Sign Indicates the Nature of its Message (Anything, Anytime)
Sculpture (Gridded Structure, Plastic Shopping Bag, Orange Netting, Plaster, Paint, Hankies), 29” x 5” x 84”.
Redcar Effect
Soundpiece (6 min duration)
Photos by Joel Tsui (@artarchival), MECA&D Photo Department, and the artist.